roland juno x

 

roland update a classic. too retro for my taste but lovely, and there's always a pleasure in listening to music nerds enthusing!

if eras were logos - micke

if eras were logos - love these by micke via spoon and tamago

theo jansen

 

more here

laura knight

 

this is laura knight, who i came across via an old picture of boxers that she'd done. her pictures aren't really to my taste but there's lots of them to look at and a real range of subjects. what an interesting life she led! the wiki entry is worth checking out for more detail but here's a summary - 

Laura Johnson was born in Long Eaton in Derbyshire to Charles and Charlotte Johnson. Her father died not long after her birth, and Laura grew up in a family that struggled with financial problems. In 1889 (at the age of 12), she was sent to France with the intention that she would eventually study art at a Parisian atelier.

After a short time in French schools, she returned to England. There, at the age of 23, she entered the Nottingham School of Art, one of the youngest students ever to join the school.

At school, Laura met one of the most promising students, Harold Knight (1874–1961), aged 27, and determined that the best method of learning was to copy Harold's technique. They became friends, and married in 1903.

In 1907, the Knights moved to the artists' colony in Newlyn, Cornwall, alongside Lamorna Birch, Alfred Munnings and Aleister Crowley, where she painted in an Impressionist style. The Beach (1908), widely admired both by other artists and the public, is an example of this style. Another interesting work is The Green Feather, which was painted in one day. In 1913, she made a painting that was a first for a woman artist, Self Portrait with Nude, showing herself with a nude model, fellow artist Ella Naper.

After the First World War, the Knights moved to London, where Laura met some of the most famous ballet dancers of the day, such as Sergei Diaghilev's Ballets Russes with Lydia Lopokova and Enrico Cecchetti, and Anna Pavlova. Her most famous work dates from this period.

At the 1928 Summer Olympics in Amsterdam, Laura Knight won the Silver Medal in Painting with the painting Boxer (1917).

In 1929, she was made a Dame Commander of the Order of the British Empire, and in 1936 she became the first woman elected to the Royal Academy.

From 1933, Dame Laura and her husband became regular visitors to Malvern. They found much inspiration for their work in the Malvern Hills and in the surrounding Worcestershire countryside. A blue plaque at the Mount Pleasant Hotel on Belle Vue Terrace, Great Malvern, commemorates the time they spent in the area.

Second World War Artist's Studio in a Bomber Factory: Charge hand Wilfred Powell helps Dame Laura Knight to set out her paints on a work bench in readiness for the day's work.

During the Second World War, Knight was an official war artist.[3] She worked on several commissions for the Ministry of Information's War Artists Advisory Committee, and she was one of only three British women war artists who travelled abroad.

After the war, she was the official artist at the Nuremberg Trials of the Nazi war criminals. One result was The Dock, Nuremberg (1946).

Source: The Swan Gallery

eddie marsan

 

eddie marsan's one of the very few male actors i'd make an effort to watch these days. i like the fact you can never tell what sort of role he's going to pop up in (tho i haven't watched him in the likes of tyrannosaur because those films are too full on for me now) and i admire the way, like any great character actor, he lets himself get swallowed up by the role, so you can really watch the craft of acting.

so i was happy to read this interview in the observer (i'm not sure i've ever read/seen him interviewed before). of course he's an actor so it could all be total nonsense but i like his commitment to decency, the need for working class actors and his cinnection to the people he grew up with.

get some yoga

after recent illness i've been very limited in what i can do with exercise. that, coupled with general laziness,  means i've not been good with my mobility drills and i'm really feeling it! this is the yoga routine i'm trying to get back to on a daily basis 

now it may be there are some people biased against bendy yoga girls (and i'm not going to lie, there are many times when i wonder if i'm even the same species as kassandra when i'm trying to get my wreck of a body to do what she does! lol) so if you like your routine bloke based, here's this one. it doesn't mention the yoga word altho it'll be very familiar to anyone who does yoga, and it throws in a few extra moves.

it's only ten minutes a day - you're worth it!

the sea mother

 

here's a lovely story from back in the day. i'm not convinced by the explanations (pre- norse - a stretch!) but, while it's not the full shetlandic, it's nice to hear the accent. for an orcadian version listen here.

it's odd to here it now as supernatural women who live in the sea are not uncommon in my fiction and even a brief google reveals the likes of sedna and yemanja. i can't find anything where someone has looked at this but surely there's room for study of female sea deities and supernatural creatures. ask any island person!