Tuesday, 20 December 2011

john clare

The Yellowhammer’s Nest


Just by the wooden brig a bird flew up,

Frit by the cowboy as he scrambled down

To reach the misty dewberry—let us stoop

And seek its nest—the brook we need not dread,

'Tis scarcely deep enough a bee to drown,

So it sings harmless o'er its pebbly bed

—Ay here it is, stuck close beside the bank

Beneath the bunch of grass that spindles rank

Its husk seeds tall and high—'tis rudely planned

Of bleachèd stubbles and the withered fare

That last year's harvest left upon the land,

Lined thinly with the horse's sable hair.

Five eggs, pen-scribbled o'er with ink their shells

Resembling writing scrawls which fancy reads

As nature's poesy and pastoral spells—

They are the yellowhammer's and she dwells

Most poet-like where brooks and flowery weeds

As sweet as Castaly to fancy seems

And that old molehill like as Parnass' hill

On which her partner haply sits and dreams

O'er all her joys of song—so leave it still

A happy home of sunshine, flowers and streams.

Yet in the sweetest places cometh ill,

A noisome weed that burthens every soil;

For snakes are known with chill and deadly coil

To watch such nests and seize the helpless young,

And like as though the plague became a guest,

Leaving a houseless home, a ruined nest—

And mournful hath the little warblers sung

When such like woes hath rent its little breast.

Sunday, 18 December 2011

w. n. herbert

The Working Self


the naked man with the briefcase

descending three flights of lighthouse stairs

his neckmuscles held by a hatstand of stress

and a new version of the Inferno blackening his cerebellum

in which the only dead are his poetic texts

and those of all the writers he has ever loved

wanting to be asleep with all the fervour of the truly middle-aged

is not

the naked man running into

the midnight sea at Teignmouth

wiht the surprisingly large breasted girl

he will not sleep wiht later in the sand

all the car-loads of friends all following The Wedding Present

from gig to gi allstoned and half-undressed and

sleepily silenusian in the cold cupping sand

is not

the student standing with a white furred uvula in

the campanile of his newly-smoking throat

before the galvanised facade of Milan cathedral

on his first morning in Italy, before visiting the Brera, the Uffizi,

focusing on the lens as it falls from his spectacles and smashes

on the delicious pasticeria of the paving stones

is not

the seventeen year old staring at Rossetti’s

loganberry compote of a dream of Dante and the corpse of Beatrice

remembering the final cold corner bust up by the bridge

by the Post Office where he stood for hours knowing

she would never feel the need to come back

not knowing that he would never speak to her again or know

her whereabouts or children or the moment of her death

is not

the boy visiting a grandfather

he hadn’t seen so long he almost had begun

to think of him as dead and dreamed about it endlessly

after the rapidly-following death

the slow hand touching the bandaged throat, the querulous witty voice

the dark, conspiratorial spectacles, always

not dead after all but still with him, talking

is not

the boy who dreamt that all his classmates sat in darkness in

a circle and the circle was so large it seemed to contain

all the people of the multis at Trottick, all the people in Dundee

perhaps all the people in Scotland and in the centre was a figure,

cowled like a monk, roating in the darkness with an index finger

pointing and revolving like a planet in an orrery

and when the figure pointed straight at him

woke up in the dark moon-streaked fourth-floor bedroom for the first time

clearly alone

Thursday, 15 December 2011

rené char

To ***


For years now you have been my love,

The vertigo I feel when I lie waiting

That nothing can make old, make cold;

Even that which was expecting our death,

Or geadually knew how to combat us,

Even that which we are strangers to,

My eclipses also and also my returns.


Barred like a boxwood shutter,

An extreme and compact fortune

Is our mountain range,

Our compressing splendour.


I say fortune, o my wrought one;

Each of us can receive

Anther’s share of mystery

Without spilling its secret;

And the suffering that comes from elsewhere

Finds at last its separation

In the flesh of our untiy,

Finds at last its solar road

At the center of our dense cloud

Which it tears and recommences.


I say fortune the way I feel it.

You have raised the summit

That my waiting will have to cross

When tomorrow is no longer there


trans by mark hutchison

Monday, 12 December 2011

czeslaw milosz

Faith


Faith is in you whenever you look

At a dewdrop or a floating leaf

And know that they are because they have to be.

Even if you close your eyes and dream up things

The world will remain as it has always been

And the leaf will be carried by the waters fo the river.


You have faith also when you hurt your foot

Against a sharp rock and you know

that rocks are here to hurt our feet.

See the long shadow that is cast by the tree?

We and the flowers throw shadows on the earth.

What has no shadow has no strength to live


trans by author

Friday, 9 December 2011

rabindranath tagore

Gitanjali 42

Early in the day it was whispered that we should sail in a boat,

only thou and I, and never a soul in the world would know of this our

pilgrimage to no country and to no end.

In that shoreless ocean,

at thy silently listening smile my songs would swell in melodies,

free as waves, free from all bondage of words.

Is the time not come yet?

Are there works still to do?

Lo, the evening has come down upon the shore

and in the fading light the seabirds come flying to their nests.

Who knows when the chains will be off,

and the boat, like the last glimmer of sunset,

vanish into the night?

trans by the author

Tuesday, 6 December 2011

auchentoshan

i caught myself the other day, getting all soap boxed up about the state of mountain bike videos. cue - twinkly, noodley guitar music. an empty trail. close up of vegetation. then a bike wheel, the sound of tyre on trail. some more of these. amp up the guitar music. proceed. it was a nice enough video but, i told myself, if you're going to girn you need to make one yourself.

which is not what the following is (tho it does, more or less, avoid the above). this is the scottish cyclocross championships at auchentoshan. i was, as usual, not there because, as usual, i was working. true, even if i hadn't have been i'm not fit enough but that's neither here nor there. i like the scant crowds, the cloying and relentless mud, the lack of panorama over lovely scottish countrysides. i love that calf breaking slog up the wee hill. i miss cyclocross!

(better yet this vid comes from that rarest of all breeds - a scottish frame maker - i have got to have me one of them!)



Scottish Cycling Cyclocross Championships 2011 from Shand Cycles on Vimeo.

pauline stainer

The Ringing Chamber

I was four months gone -
my breasts already tender
against the bell-ropes;

we were ringing quarter-peals,
the sun flooding the bell-chamber,
the dust rippling between the joists

when the child quickened,
fluttered against the changes;
and suddenly through the clerestory

I saw that colder quickening -
random - reciprocal -
cloudshadow

and the flaxfield
like water under the wind.

Monday, 5 December 2011

stop motion

after the cyclotrope here's this

Sunday, 4 December 2011

mary oliver

Sleeping in the Forest

I thought the earth remembered me,
she took me back so tenderly,
arranging her dark skirts, her pockets
full of lichens and seeds.
I slept as never before, a stone on the river bed,
nothing between me and the white fire of the stars
but my thoughts, and they floated light as moths
among the branches of the perfect trees.
All night I heard the small kingdoms
breathing around me, the insects,
and the birds who do their work in the darkness.
All night I rose and fell, as if in water,
grappling with a luminous doom. By morning
I had vanished at least a dozen times
into something better.

Saturday, 3 December 2011

the bicycle zoetrope

which shows there's really no end to what you can do with some card, a pair of scissors and a bit of time...

Wednesday, 23 November 2011

you can judge a book by its cover

or at least you can when it's a penguin classic deluxe edition. which is what happened when i went into waterstones today and was confronted by a bunch of them. i was loving the cover of nathaniel hawthorne's scarlet letter so much i really wanted it even tho i've utterly failed to get thru the book at any attempt. it seems then that i am definitively one of those who can be suckered by book design.

and i make no bones about it. true, there will always be an edition that suits one and not the other but beyond that there's just that certain set of somethings that draws me in. i like an opaque high contrast paper. i like it when there's been choice of font and that whoever's made the book has seen fit to let me know (usually) at the back. i like the rough cut that you find on the finishes of (predominantly) american books. i wish more english publishers would follow. i remember when susanna clarke's jonathan strange and mr norrell came out in hardcover, loving the black edging on the paper an effect i've even managed to still like on one of the twilight books.

i like a matt cover, being completely converted back in my new york days - one of the only things i can say with assurance when i'm at the printers is 'matt laminate'. which is probably why i will never really engage with the kindle or any other such electronic reading device. it does the job but it leaves out everything else.

so, today it was the faber john clare that i ended up with. it looked pleasing, true but at the end of the day it was what was inside that counted. after the sojourn down south and listening to the wordsworth in the last post i recalled that, altho i can do wordsworth, i've never really liked him that much. clare on the other hand i always have but have never really spent a lot of time with him. picking up the book (and an excellent wee foreword by editor paul farley) that england i saw at the weekend, that's clare's england. i have my lovely wee book and it takes me somewhere else entirely...

Tuesday, 22 November 2011

the green and pleasant land

so, we were off down to that england-land this weekend to visit ilkley and the loveliness that is the yorkshire dales. to be honest i was expecting sheets of rain, wind and general northern grimness but, as it happened, it turned out rather lovely.

t was off a-felting so i got the bike out and headed out with only the vaguest sense of where i was going. what i definitely wasn't doing, and doubly so after a long morning rest, was cycling the whole of the dales way. i'd hoped the sun was up a wee bit longer but really no.

first thing i noticed was the massive numbers of cyclists. not just the kind of stuffed together, badly adjusted bike, out for the weekend type tourist (of which there were none) but proper roadies. and gangs of them. i haven't seen so many cyclists outside of a sportive in the last couple of years. it was great. and for those who might grin a bit about roadie taciturnity i put it to you (for you are all inglese) that this is not because these are sullen people but rather that there are just too many of you and that to give everyone the nod would result in a neck injury!

and not just numbers but diversity. not only did i see more cyclists but i saw the biggest group of them i've ever seen (40+ on a club run!!), the full range of beardie men and best of all, actual women. this may sound surprising to those south of the border but up here the sight of a proper roadie woman, while not quite akin to coming across a unicorn, is in the general vicinity.

and all this in the space of about twenty minutes. the first place i came across was bolton abbey. the mist was just lifting and the sun was hitting the valley and, having had the good sense to stop, i was all like, this is like something out of wordsworth or turner, which of course it was. the cyclists had thinned out so i had the roads pretty much to myself. i was rowed in with dry stone walls, in fact there were walls everywhere and the fields dotted with barns. every few miles there were amazing wee villages that looked like they'd stepped out of some englandshire poster book, wee pubs, folk sitting drinking and blethering, flowers in the windows. i imagine in tourist season it must be nightmarish but not this weekend. and great names - kettlewell, starbotton, appletreewick.

i picked up a roadie guy on the way back in and we ended up cycling back. altho i'd overtaken him to ask for directions he was straight back at me. i should've noticed this. i definitely should've paid attention when he came alongside checked me, my legs and my bike. but no matter, he was local and great chat with all the places but as we were dotting along i was aware that the pace was maybe not quite so mellow and my cadence was just that bit higher. and higher. and then he bumps into his mate. he's from the club he says. and then i realised. a club guy. here we go.

to give him his due he didn't push too hard, just enough so that when we got back into ilkley, just at the last hill my legs gave out with the faintest of sighs and he had me beat. but it was great fun and i thank you, chris from ilkley, for a very pleasant hour.

the following day everywhere was slabbed in mist. we made abortive attempts to go to a tea room but ilkley was mobbed and we mainly failed. we did go to their wee museum which is in a gorgeous old 14th century building. and t got a copy of that ilkla moor baht'at thing (dominic). we couldn't make head nor tail of it!

on monday we had to leave ilkley but not without firm plans for a return visit down the dales. off we went into the mist and as we passed some stately home or other i managed to make what is possibly my only old english joke (i should point out i'd been reading david crystal's latest book not long before) it went something like this -

t: that must be where the laird lived
m: the laird? the lord on these parts
t: is there a difference
m: surely you're having a hlaf

i do apologise. and moving swiftly on we headed out of the murk and into northumberland for a quick nosey around hadrian's wall. again perfect weather, all misty and atmospheric and not a soul to be seen. england had been uniformly lovely!

getting home tho we were glad to be back. englandshire is great for a visit, esp at this time of year when there's not so many folk about but, even allowing for the cyclists, there's just too many people in such a wee space. it was odd to see all the private property, no trespassing, no going on the river signs but i could kind of understand why. the countryside down there is not like it is here and not just because of the access laws - there's a closeness of the urban and the rural that gave me a real insight into kind of englishness i hadn't been aware of, something about the specialness and preciousness of the countryside that finds a different expression in their northern neighbours.

it was a grand weekend out. i can't wait to go again.

Saturday, 5 November 2011

olympic posters

as i'm just after some quality ranting re the paralympic posters from both t and a bunch of assorted mountain bike types i thought i could do worse than share.

please feel free to vent. for what it's worth i like the howard hodgkin one....

Sunday, 30 October 2011

gellu naum

After all

After all I remember perfectly the day
when my seven mothers birthed me

(among them one, uniquely primordial,
knew the joys of conception
one who no longer knew how to read or write
her octogenarian arms rocking me
as the four-eyed cat of death
nestled on her shoulders
I worked hard to be lighter

The other six mothers sang
transfigured by labor pains
I slept serenely in each of them
slept cowering in their thighs their knees
slept purely in their maternal purity
bread, milk and honey close by
and memories of Amsterdam
the world fashioned peacefully all around

on the fourth day waters a world with fish and reeds
with the man from the Hotel Alger who lost his mouth on the sixth day

a world of suns and snows on the ninth day

but my octogenarian mother’s arms were tired
(the cat around her shoulders purring scarcely audible)
and I wanted to be lighter

Then I sat by the fire
sitting in my geomantic suit
slowly shaking a hazelnut switch
right there by the fire trying to be lighter

The other five mothers fell silent
aggrieved by my unexpected gesture
Why–I asked them–do you look at me so
My old mother’s arms exhausted
and I wanted to be lighter
would have gone to sleep in an apple
but I didn’t want to complicate your perpetual maternity

They shook their heads in remonstrance
and closed themselves off to me

Then on the tenth day
dogs started to bark
and witnesses crept into the room.


trans by martin woodside and chris tanasescu
see more of their translations here

Friday, 28 October 2011

something lazarus

it's all been a wee bit quiet on the poetry front for a wee while (hence no elvis) but that's mainly because i've been working on othe things.

today sees a lazarus out on kindle and there will be more publishing to come soon. i'd say more but i've said it already. check it out!